(de)Locations and context. The transition of urban art from the street to its exhibition in art centers

Authors

  • Esteban Marin

DOI:

https://doi.org/10.37558/gec.v16i0.707

Keywords:

urban art, location, museum, art center

Abstract

Brief consideration following the disassembly, conservation and relocation of a large-format mural (200m2) and the exhibition experiences in contemporary art centers and other institutional spaces of artists from graffiti and urban art. These two cases will help us to explore the relationship between the works carried out in the public space and how their relocation affects them to be introduced in exhibition contexts or as decorative pieces.

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References

CHAZAN, D. ( 26/01/19), “Banksy painting stolen from Bataclan” Telegraph, news. https://www.telegraph.co.uk/news/2019/01/26/banksy-painting-stolen-bataclan/ [consúlta 07/09/19]
LONGÁS, H. (27/02/16) Menos de un kilómetro cuadrado para 43.000 vecinos. El País, A fondo. https://elpais.com/elpais/2016/02/23/media/1456224524_967983.html [consúlta 08/09/19]
SUTTON, B. (07/07/2017), “Vigilantes Posing as City Workers Steal Street Art in Paris" Hyperalergic, In brief. https://hyperallergic.com/394562/vigilantes-posing-as-city-workers-steal-street-art-in-paris/ [consúlta 07/09/19]

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Published

2019-12-11

How to Cite

Marin, E. (2019). (de)Locations and context. The transition of urban art from the street to its exhibition in art centers. Ge-conservacion, 16, 186–192. https://doi.org/10.37558/gec.v16i0.707

Issue

Vol. 16 (2019): Ge-conservación Nº16

Section

Monográfico

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