Documentação híbrida e modelação paramétrica para a conservação de um vitral modernista em Caracas

Autores

Palavras-chave:

património digital, modelação paramétrica, documentação estrutural, arquitetura modernista, vitrais

Resumo

Este artigo apresenta a reconstrução paramétrica e a análise estrutural de um vitral modernista localizado na Igreja da Santíssima Trindade, em Caracas, Venezuela, uma obra de relevância cultural possivelmente projetada pelo artista venezuelano Omar Carreño. A perda parcial da documentação original e o acesso restrito ao local levaram ao desenvolvimento de uma metodologia híbrida que integra pesquisa em arquivo, entrevistas, esboços manuais, modelação paramétrica no SolidWorks e visualização em realidade aumentada. O estudo busca definir uma sequência de modelação estruturada e replicável para interpretar formas geométricas complexas com lógica construtiva. O modelo final funciona como artefato documental e gémeo digital coerente, apoiando a gestão do conhecimento e estratégias de conservação futuras. Este trabalho insere um caso latino-americano no debate internacional sobre documentação digital do património moderno vulnerável, explorando tipologias não canónicas com tecnologias acessíveis. Em consonância com as diretrizes internacionais, integra-se num quadro mais amplo que valoriza abordagens interdisciplinares, sensíveis ao contexto e escaláveis.

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Biografias Autor

Mariolly Dávila, Department of Graphic and Design Engineering, Catalonia Polytechnic University

Mariolly Dávila Cordido is a lecturer at the Department of Graphic Engineering and Design at the Universitat Politècnica de Catalunya (UPC). She holds a PhD in Architecture and Visual Communication Design from ETSAB, UPC; a Master’s in Didactics of Secondary Education – Drawing, from the University of Valencia; and a degree in Architecture from the Central University of Venezuela. With over 10 years of international experience in teaching and research, she has taught undergraduate courses in Projects and Graphic Expression, and Graphic Representation in Architecture and Engineering. At the master’s level, she has taught Urban Planning and Territorial Development and contributed to PhD courses in Heritage and Social Development. Her research focuses on architectural space design, digital heritage, and urbanism using tools like classical geometry, 3D visualization, and virtual realities.

Renata de Mendonça Espinheira Gomes, Catalonia Polytechnic University

Renata de Mendonça Espinheira Gomes holds a degree in Architecture from the Faculty of Architecture, University of Lisbon (UL) and a PhD from the Polytechnic University of Catalonia (UPC), where she works as a lecturer in the Department of Architectural Representation. She teaches on undergraduate and Master courses. She has been invited to give lectures and/or run workshops at universities in Spain, Brazil, France, Italy, and Turkey. She supervises and co-supervises doctoral and Master’s theses. She has published several articles and two books exploring themes related to architecture, drawing, graphic communication and expression, the phenomenology of space, and art. She works with painting, art installations, and sound art, and her work has been exhibited in various countries such as Portugal, Spain, Japan, and Germany. Her artistic practice informs and is informed by her line of research developed within the architectural field.

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Publicado

2026-01-23

Como Citar

Dávila, M., & de Mendonça Espinheira Gomes, R. (2026). Documentação híbrida e modelação paramétrica para a conservação de um vitral modernista em Caracas. Ge-conservacion, 29(1), 18–30. Obtido de https://revista.ge-iic.com/index.php/revista/article/view/1434